When a playwright starts working on their play, they might not think about the format first. But once inspiration strikes, the structure of their script is what brings their vision to life on stage.
Scottish writer Krysty Wilson-Cairns’ reveals her shock when she learned of Sam Mendes’ plans for his World War I epic '1917' and how they crafted the screenplay. By Alex Ritman U.K. Correspondent I ...
How is writing for a theatre performance different from writing a short story? How is writing for a theatre performance different from writing a short story? This episode focuses on dialogue and stage ...
No Film School on MSN
Tarantino's Trick for Learning to Write Dialogue
Dialogue that's tense, exciting, melodic, and full of subtext, or maybe punchy and raw.Many will point to writer/director Quentin Tarantino as an aspirational example, especially because his films ...
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