Nelson agrees that Kosinski usually has "at least one or two waiting in the wings," and first heard about the possibility of a drama about Formula One racing while he was working on Spiderhead. "Joe ...

F1: The Movi e marks the third racing feature that Hans Zimmer has scored — following 1990’s Days of Thunder and 2013’s Rush ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on "F1." They weren't the only key audience, however. "We wanted to ...

The first race in F1: The Movie, at the British Grand Prix at Silverstone, results in a spectacular double crash that illustrates just how disastrously things can go when you don’t work together.

The team radio editing suite at F1's Media and Technology Centre. Alex Kalinauckas / The Athletic This article is part of our Forever Forward series, showcasing the ways Formula 1 is innovating for ...

There's still roughly one week until the official launch of the Audi R26 Formula 1 race car, which will happen on January 20, ...

Talking surprising race car sounds, 'dirty air' and more with the 'F1' sound design team. Sound editor Al Nelson and re-recording mixer Gary Rizzo share their long history working with director Joseph ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...