In the year of Latvia’s acclaimed animation Flow and the Lithuanian drama Toxic winning the top prize at Locarno, it’s worth keeping an eye on new Baltic cinema. And so it proved at this year’s ...

In our Autumn 1983 issue, we heard from novelist and screenwriter Ian McEwan on The Ploughman’s Lunch, his and Eyre’s exploration of the 'fake present'.

Mini-Hollywood is a theme park in the Spanish desert based around the Wild West sets built for Sergio Leone’s Dollars trilogy. Fifty years on, it offers a window on to a storied period of Spanish film ...

Indiana Jones and the Great Circle – out this month, we hunt for the franchise’s best video game moments, from point-and-click masterpieces to a guest appearance on Fortnite.

Guy Maddin takes his far out irreverence to the masses with a slippery political satire that pits a group of inept world leaders against zombie bog bodies and a giant brain.

As his wild new satire Rumours is unleashed into cinemas, we take a trip into the frantic, archaic, half-remembered dream worlds of the one and only Guy Maddin.

Not content with being one of the great iconoclasts of modern cinema, David Lynch has also been a trailblazing musical adventurer – and in recent years, it is music that has come to dominate his ...

But the risk-taking exploits of the great silent comedian have also inspired Keanu Reeves and Brad Pitt in their respective stunting in John Wick (2014) and Bullet Train (2022). Tom Cruise is a fan ...

As Cannes Grand Prix winner All We Imagine as Light arrives in cinemas, we look back over the renaissance in Indian independent cinema of the last 15 years.

When making the classic film of Watership Down, the animators based their drawings on actual places in the English countryside. But have these locations been spared the bulldozers?

Filmmaker Chloe Abrahams tells us about her award-winning documentary The Taste of Mango, an intimate enquiry into distressing aspects of her own family history.

The BFI has made 18 new awards through its UK Global Screen Fund, supporting international opportunities for the UK ’s independent screen sector. Financed through the Department for Culture, Media and ...