For Hiroshige (1981) – one of his first Frankenthaler acquisitions – pays tribute to the Japanese master of woodblock ...

Jessica Morgan This exhibition began as a conversation about how we could introduce Dia’s collection and curatorial ethos to ...

Apply to the 2025 Frieze New Writers Programme in Liverpool, UK Apply by Sunday 27 April to attend our free art-writing course, in collaboration with Liverpool Biennial and supported by Frieze ...

Flaneuring in the footsteps of the situationists before him, Julien Berthier is preoccupied by those camouflaged apparatuses ...

The artist’s latest film at Galerie Molitor, Berlin, captures a historic Spanish festival where villagers hurl vegetables at ...

If the current state of affairs has taught us anything, it’s that uncertainty is not merely a passing state but an enduring condition. We live in flux, navigating shifting landscapes – both literal ...

At Fraenkel Gallery in San Francisco, the French photographer and conceptual artist Sophie Calle presents an assortment of ...

In the opening minutes of Sinéad O’Shea’s Blue Road (2025), a new documentary about Edna O’Brien, the celebrated writer’s gentle west-of-Ireland voice murmurs over footage of her younger self: ‘I was ...

Featuring Sherrie Levine’s subversive take on modernist icons, new still lifes by Joey Terrill, Claire Tabouret’s tender, slumbering portraits, Rodrigo Hernández’s reflections on the life of the bat ...

Amid the visual overwhelm on display in Laura Owens’s eponymous exhibition, which spans two of Matthew Marks Gallery’s Manhattan spaces, an abiding image is the candy cigarette. Within the reception ...